Paradise Camp by Yuki Kihara - The Photographs

Two Fa‘afafine (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Spirit of the ancestors watching (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Si'ou alofa Maria: Hail Mary (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Nafea e te fa'aipoipo? When will you marry? (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Three Fa‘afafine (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Two Fa‘afafine going to church (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

The Wizard (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Two Fa‘afafine on the beach (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Fa‘afafine with children (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Genesis 9:16 (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Fonofono o le nuanua: Patches of the rainbow (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

Paul Gauguin with a hat (After Gauguin), 2020
Image courtesy of Yuki Kihara and Milford Galleries,
Aotearoa New Zealand.

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A reminder about the in-person component of the Talonoa Forum: Swimming Against the Tide.Here's the details:The three-day in-person talanoa in Venice organized by Artist Yuki Kihara has been developed in close partnership with Francesca Tarocco, Director of THE NEW INSTITUTE Centre for Environmental Humanities (NICHE), art historian Cristina Baldacci and curator Natalie King. By engaging with the urgent themes of the Paradise Camp exhibition, the talanoa will explore the intertwinements of artistic, legal, writing and curatorial perspectives on this socially engaged and multifaceted project; to how artists, curators, and scholars unsettle the boundaries between art and ethnography by highlighting reparation and restitution practices; and a discussion around the theme of water in its multiple material, social, legal and political forms, including attributing legal personhood to water ecologies. The in-person talanoa in Venice is presented in collaboration with the Peggy Guggenheim Collection and with Fondazione Querini Stampalia. Click to find out more www.talanoaforum.ws/ ... See MoreSee Less
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