The title for Robinson’s exhibition came from Dante Alighieri’s book Divine Comedy. It featured a series of sleek sculptures and digital prints using a binary code translation of Dante’s Inferno. It was based on complex concepts of existence and drew together unlikely points of reference from quantum physics to Stephen Hawking's book A Brief History of Time.

In his installation Robinson positioned formally discrete objects and prints within the space. Included was a model of a stealth bomber, a stack of lacquered sheets formed from the negative space described by the numeral zero, wall prints written in computer code showing fields of ones and zeros and models of expanding universes in the process of begetting further parallel universes.

Both Robinson and Fraser are of European and Māori descent. Their installations drew on a wealth of European references from Marcel Duchamp to Albert Einstein. Nevertheless, it is possible to detect a Māori accent in their work. This tension and intermingling between Māori and international contexts was another layer of reference suggested by the title Bi-Polar.

Divine Comedy was shown at Auckland Art Gallery in 2002 and works from Bi-Polar were shown at the City Gallery Wellington in 2003. One of works from Divine Comedy was purchased by the Museum of New Zealand Te Papa Tongarewa for the national collection.