Exhibition/Location
Taharaki Skyside


“Birds can symbolise familial love, romantic attachment, ecological warnings, they can be intimations of mortality, and in my work they can also represent individual people in my life. The ideas I am conjuring remind us of the integral significance of manu within te ao Māori [the Māori world] – as sources of food and materials, and intermediaries between human and divine worlds.”
Fiona Pardington

Istituto Provinciale per l’Infanzia Santa Maria della Pietà di Venezia
Other locations within the Pietà complex were the setting for a previous Aotearoa New Zealand national pavilion, Bill Culbert’s Front Door Out Back in 2013.
Istituto Provinciale per I'infanzia Santa Maria della Pieta di Venezia
Riva degli Schiavoni, 3702 Venezia VE Italy
9 May - 22 November 2026
Summer opening hours
Monday Closed
Tuesday 11:00am - 7:00pm (CET)
Wednesday 11:00am - 7:00pm (CET)
Thursday 11:00am - 7:00pm (CET)
Friday 11:00am - 7:00pm (CET)
Saturday 11:00am - 7:00pm (CET)
Sunday 11:00am - 7:00pm (CET)
The publication

Brimming with impossible beauty and aching loss, Fiona Pardington’s avian portraits resurrect the dignity, charisma and wildness of Aotearoa New Zealand birds preserved as taxidermy specimens in museum collections. Scaled up to deific proportions, her manu are not merely replicated, but reborn.
Published by Christchurch Art Gallery Te Puna o Waiwhetū, Taharaki Skyside is accompanied by a beautiful new publication designed by Neil Pardington and featuring large, high quality images of Fiona Pardington’s work for the Biennale. Texts by Geoffrey Batchen, Maia Nuku, Hana O’Regan, Harry Rickit, Megan Tamati-Quennell and Andrew Paul Wood provide illuminating insights into the artist’s practice.