Traversing the topics of small island ecologies, queer rights and decolonisation, Yuki Kihara’s Paradise Camp at La Biennale di Venezia 2022 marks a number of firsts for Aotearoa New Zealand’s national pavilion as the artist selected is Pasifika, Asian and […]

In a groundbreaking exhibition at this year’s Venice Biennale, art, history and gender lines are redrawn, bringing Pacific fabulousness to the sinking city. The South Pacific has arrived at the 2022 Biennale di Venezia in a wave of lush, glorious […]

Ahead of the opening of Paradise Camp, Yuki Kihara talked to The Guardian about how it feels to be representing New Zealand at the Venice Biennale; building Fa’afafine capital; the disconnect between the representation and reality of Sāmoa, and more: […]

Leading up to the opening of the 59th Venice Biennale, Kihara embarked on a dialogue with Paradise Camp curator Natalie King, discussing early influences, colonial portraiture, research methodologies, and empowering the Fa’afafine community in her new work. “Just as Gauguin used […]

Ahead of the opening of Paradise Camp, Yuki Kihara talked to CNN about uncovering and upcycling selected works by Paul Gauguin: On an early morning in 2008, before the Metropolitan Museum of Art opened for the day, the artist Yuki […]

O le po anapo (taimi Niu Sila) na tatala aloaia ai le Faaliga Fa’avaomalo lona 59 o Fa’atufugaga a Niu Sila i le La Biennale di Venezia fa’atasi ai ma le tatalaina aloa’ia o le fa’aliga a Yuki Kihara ua […]