ArtReview sent a questionnaire to artists and curators exhibiting in and curating the various national pavilions of the 2022 Venice Biennale, the responses to which will be published daily in the leadup to and during the Venice Biennale, which runs […]

An exhibition showcasing a cultural story of Samoa’s third gender, Fa’afafine by Yuki Kihara, is coming alive thanks to artificial intelligence (AI) technology developed in New Zealand. Interdisciplinary artist of Japanese and Samoan descent Yuki Kihara is representing New Zealand […]

Sharon Lam goes in search of Yuki Kihara’s Paradise Camp, the New Zealand pavilion at the 2022 Venice Biennale. While there is deep literature behind it – the entire body of work was first inspired by an essay written by […]

The New Zealand pavilion at the 59th International Art Exhibition – La Biennale di Venezia recently opened with artist Yuki Kihara’s ensemble exhibition, Paradise Camp, curated by Natalie King, Enterprise Professor at the University of Melbourne. Yuki Kihara is the […]

‘Paradise Camp’ is a fa‘afafine and fa‘atane pavilion, vivacious and unwavering in its generous platforming of our ways of knowing and being …” Have you seen Art Monthly Australasia’s stunning cover story for the Winter issue? Featuring the work of […]

When Australian curator Natalie King first approached Yuki Kihara to propose a project for the New Zealand pavilion at the 2022 Biennale di Venezia (Venice Biennale), Kihara declined. The biennale is the world’s premier art exhibition. Founded in 1895, it […]