‘One of the most remarkable names to emerge from this year’s Venice Biennale is interdisciplinary artist Yuki Kihara. The first fa’afafine (the Samoan term for third gender). Pasifika, and Asian artist to represent New Zealand there, Kihara reframes history […]

Don’t miss Yuki Kihara in conversation with Kirsty Baker on identity politics, decolonisation, and the environmental crisis through her immersive new work ‘Paradise Camp’ at the 2022 Biennale de Venezia: Artist Profile Issue 59 from Artist Profile on Vimeo. Read […]

ArtReview sent a questionnaire to artists and curators exhibiting in and curating the various national pavilions of the 2022 Venice Biennale, the responses to which will be published daily in the leadup to and during the Venice Biennale, which runs […]

An exhibition showcasing a cultural story of Samoa’s third gender, Fa’afafine by Yuki Kihara, is coming alive thanks to artificial intelligence (AI) technology developed in New Zealand. Interdisciplinary artist of Japanese and Samoan descent Yuki Kihara is representing New Zealand […]

Sharon Lam goes in search of Yuki Kihara’s Paradise Camp, the New Zealand pavilion at the 2022 Venice Biennale. While there is deep literature behind it – the entire body of work was first inspired by an essay written by […]

The New Zealand pavilion at the 59th International Art Exhibition – La Biennale di Venezia recently opened with artist Yuki Kihara’s ensemble exhibition, Paradise Camp, curated by Natalie King, Enterprise Professor at the University of Melbourne. Yuki Kihara is the […]